It’s been ten years since we saw “Twilight” (2008) cast-mates Kristen Stewart and Dakota Fanning graze the screen in the music biopic “The Runaways.” While the Floria Sigismondi written/directed film has its fair share of follies, by the end it’s worthy of a collective fist to the air, celebrating – at the very least- the spotlight on these talented women and the impact they had on the rock and roll world.
At a time when bands entirely made up of women weren’t a prevalent nor seemingly lucrative notion, The Runaways was formed, primarily because of the persistent ambition of Joan Jett (Stewart) and her collaboration with Kim Fowley (played with an on-spot eccentricity here by Michael Shannon). Soon they bring in Cherie Currie (Fanning) to be the lead singer, along with Sandy West (Stella Maeve), Lita Ford (Scout Taylor-Compton) and Robin (Alia Shawkat). Then we’ve got the pop-punk legendary group: The Runaways. Continue reading Retrospective Review: The Runaways
Henry James’ novella The Turn of the Screw is a staple in the horror genre. It’s been adapted into plays, radio show, and several movies. The latest adaptation is Floria Sigismondi’s “The Turning”(2019). This is the first time this story, primarily about a woman and her mental state, is being told solely by a female director.
“The Turning” tells the story of Kate (Mackenzie Davis), a young teacher turned governess for a young girl (Brooklynn Prince) who recently witnessed the tragic death of her parents. The girls troubled and slightly creepy older brother (Finn Wolfhard) is sent home from boarding school shortly after Kate starts her new job. It’s then that Kate starts to notice strange and unexplainable things going on in the house and thinks there may be something sinister or supernatural going on… Continue reading Review: The Turning
“The Turning” starts off as a promising reimagining of an old classic, as it weaves itself down a winding road of mystery. But, once that mystery is unravelled…the film comes to an abrupt and unsatisfying halt. Continue reading Review: The Turning