Sam Mendes’ “1917” (2019) is more than just a technical marvel; it’s a captivating survival story of young men in wartime. While its one-take approach with all of its footage melded together to look as though the full two hour film was one continuous shot is great, this is not a film ruled by its gimmick. In fact, it’s easy to forget about the one-take editing by Lee Smith once you’re into the action of the movie until there’s a particularly impressive bit of camera movement. At its heart, “1917” tells a story about the destruction that war. Continue reading Review: 1917 (2019)