Shattering the Celluloid Ceiling
I find that the best love stories are not romantic in nature but live within the friendships we have. So, in honor of Valentine’s Day and in honor of BFFs everywhere, are some movies you can enjoy with your ride-or-die.
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 10 is Florence Pugh, and writer James Cain discusses Pugh's career over the last decade.
"Marriage Story" is actually a tale about a divorce - that of two successful theatre artists, Charlie (Adam Driver) and Nicole (Scarlett Johansson). Initially, the film appears to be entirely Charlie’s story but without Nicole, there would be no movie. In the beginning, he is unable to see his wife for who she really is but he grows to see her so clearly that he can fully appreciate the extent of what he’s lost. That theme - of appreciating women as fully formed human beings, equal to their male partners and counterparts - is what makes "Marriage Story" a feminist love story.
In the opening scene of “Little Women” (2019), when we see Saoirse Ronan’s character entering a publisher’s office to try to sell her work and get herself taken seriously as a writer, we’re not just seeing the character of Jo March. We’re also seeing Louisa May Alcott, who wrote the novel that the film is adapted from, and perhaps even the film’s writer and director Greta Gerwig herself.
2019 was an eventful year for me, I grew so much as a person and found an outlet to express my writing and thoughts about film as a whole. This isn’t a definitive list by any means but a list of the films that have had the biggest impact on me personally. I have a lot to say about some of these so let’s get started, shall we?
I have never read the book "Little Women" by Louisa May Alcott or seen any of the previous adaptations. I have little interest in period dramas, frocks and debutant balls. All I knew about the film was that there were a bunch of teenage-ish girls, it was written 150 years ago and the Joey on Friends got upset about one of the characters dying. So, I knew I’d be a hard sell on this but after a shaky start this film really won me over.
It’s not an easy task to adapt one of the most famous American novels of all time for the screen. Not only has Louisa May Alcott’s “Little Women” been beloved since it was first published in 1868, it has also had several well-regarded film adaptations before, starring actresses like Katharine Hepburn and Winona Ryder. And yet, if anyone was going to take on this mammoth task, Greta Gerwig seems like the perfect person. Gerwig broke onto the directing scene in 2017 with her first film, “Lady Bird,” a coming-of-age story starring Saoirse Ronan. She returns this year with one of the most iconic female coming-of-age stories of all time, “Little Women,” refreshed and updated for a modern audience without losing any of the spirit of the book -- and once again starring Saoirse Ronan.
The titular character of Greta Gerwig’s coming-of-age classic, “Lady Bird” (2017) is equal parts pretentious and endearing. Lady Bird – as stated above, a name given to herself by herself – navigates her senior year of high school and the many relationships encompassed within it. The premise of the film is simple. A coming-of-age story. But what is extraordinary is how it taps into the humanness of growing up. “Lady Bird” for me is what “Boyhood” (2014) did for my brother. It held up a mirror to my most vulnerable truths, and actually made me feel okay about that. Lady Bird, portrayed so earnestly by Saoirse Ronan, is dramatic. “Come here often?” she asks her crush in the grocery store as if they are gender-bending roles in an old Western. She calls herself from the wrong side of the tracks when there are literal railroad tracks to get to her house.
Every year, the Hollywood Foreign Press Association (HFPA) hosts the Golden Globes. The Golden Globes are used as a predictor for Oscar nominations. As always, there are only so many slots for each category. Not every actor, filmmaker, or movie can be nominated. But the Golden Globes typically proves to be pretty white and male dominated. This year, five male filmmakers were nominated for Best Director. Bong Joon-Ho, who directed “Parasite” (2019), is the only non-white person nominated. The other nominees, Sam Mendes, Todd Phillips, Martin Scorsese, and Quentin Tarantino are all white dudes. And, in my frank and honest and personal opinion, it is comprised of mediocre white film bros. Sue me. (Actually, please don’t. I have lots of student loans.)
