The tagline for Ingmar Bergman’s “Cries and Whispers” sums up the plot nicely: Four women dressed in white in a mansion painted red…haunted by whispers and cries. The film’s runtime is just over an hour and a half, taking place in one location with four key players. By the end of the film, we see each woman for who they truly are: a product of their patriarchal society. Repressed, depressed, manic and dying. One can finally cry out and express their pain and torment. Another remains devoted and empathetic. The other two can only whisper as they struggle to contain their emotions and become consumed by them. Continue reading Mental Health Awareness Month, Retrospective Review: Cries and Whispers
“Garden State” (2004) is a mixed bag for a number of reasons. But some aspects of its depiction of mental health are very well portrayed, especially for its time.
Andrew (Zach Braff) returns to his home town to attend his mother’s funeral. He’s depressed with a lot of baggage, and is now dealing with grief as best he can in his highly medicated state. While there he meets Sam (Natalie Portman) who encourages him to see life differently. Over the course of a few days, Andrew works on closing a painful chapter in his life and reopening a new and more hopeful one. Continue reading Mental Health Awareness Month: “Garden State” Review
“The Babadook” is the type of horror flick I love; one where the threat — in this case, the monster — works as both an internal and external threat. The unique creature design is simultaneously whimsical and menacing. Think, the hybrid that one would get if they were to describe Nosferatu to a child and have that child illustrate the description. Continue reading 31 Days of Horror, Day 29: The Babadook
There is no excerpt because this is a protected post. Continue reading Protected: Ari Aster’s Hereditary and Midsommar Show us What it’s Like for Women to Grieve