For August, In Their Own League decided to focus on women in action. I decided to twist it by emphasizing the “action” uniquely, directing. After watching “Half the Picture” (2018) by Amy Adrion, I was inspired to give a deserving spotlight to women who are taking action to increase the representation of women behind the camera; those same women who call “action!” for their films. Continue reading #WOMENINACTION: HALF THE PICTURE – FEMALE DIRECTORS
Lynn Shelton was an exceptional filmmaker. Like many, I was devastated to learn about her sudden passing. Shelton was 54.
I remember watching her work for the first time. I saw “Your Sister’s Sister” (2011) at home, after renting it from Netflix. I wanted to see Emily Blunt’s latest film and I didn’t know much about it. Shelton brought to life an intimate story about three people struggling to find themselves, redefine themselves and their circumstances. It wasn’t a flashy or showy film. Yet, I was struck with every element of the film.
So, when her film “Touchy Feely” (2013) came out, I sought it out. The film stars Rosemarie DeWitt as a massage therapist who suddenly has an aversion to touch. It has to be one of the most intriguing plots I’ve ever seen on film, especially in an independent film. It was inventive and simply human. Continue reading Thank You, Lynn
“Do you want to watch this with me?” I am home for the holidays and my mom, a movie-buff, is gearing up to watch the documentary film, “Half the Picture” (2018). “Half the Picture” looks at female filmmakers, their stories, their films, and more importantly, giving them the space to talk about the hurdles they have had to climb throughout their careers. The filmmakers each had unique hurdles for their films, but the blatant gender inequality experienced was universal. Thanks Mom for introducing me to this film.
“Half the Picture” was directed by female filmmaker, Amy Adrion. Adrion’s film perfectly balances the valiant victories and the lowest lows. It is an intimate look at women in different stages of their careers, all with a plethora of film credits. It ponders if the current conversations in film will lead to a paradigm shift or if this is simply a brief respite from systemic discrimination. Will the current atmosphere lead to the change film and TV need? It is an inspiring, and at times frustrating, film. So much has been done, yet there remains so much to do. Continue reading Exclusive Interview With Director Amy Adrion About “Half the Picture”