With “The Gentleman” (2020), Guy Ritchie attempts to prove that he’s still the king of British gangster films, but he falls a bit short. It’s certainly an entertaining romp as a myriad of charming and talented actors get into all sorts of scrapes while trying to pass a booming marijuana business into different hands. Despite the film’s strong points, it lacks cohesion and the treatment of its only central female character is abysmal. Continue reading Review: The Gentlemen (2020)
The second the opening titles start Guy Ritchie’s latest film “The Gentlemen” (2020) sets itself up as something sophisticated, colourful and bleeding with style. And it was. The story veers from one twist to another, punctuated by side quests and violence. The soundtrack was sharp as a knife, the characters were larger than life. Nothing about this is supposed to be serious, it’s a drug dealing gun toting romp.
Except for the attempted rape.
At this point the film went from a lot of fun to deeply disturbing in a split second. But even more galling was that it went straight back to being fun again. Is rape really that much of a throwaway plot point? Continue reading Sexual Violence as a Plot Device in “The Gentlemen”
f Emilia Clarke was looking to step out and reinvent herself after eight years as Game of Thrones’ Daenerys Targaryen, then “LAST CHRISTMAS” would be that vehicle. Along with her character choice of Kate, a wayward and dysfunctional wanna-be actress in her 20’s, who spends her day working as an Elf selling year round Christmas monstrosities – well you couldn’t be further removed from the queen of dragons herself with this one.
Her boss, in what is sure to be London’s gaudiest Christmas store, conveniently goes by the moniker “Santa” (Michelle Yeoh), constantly admonishes Kate for her shortcoming, and there are many of them. As a matter of fact, Kate is simply just the worst. Her nights are devoted to getting plastered, trying to find one in the endless array of couches to crash on – and mornings, well mornings are spent trying to recall the who/what/where of the previous evening shenanigans. Continue reading Review: “Last Christmas” (2019) Universal