Review: Come to Daddy

Horror genre cinema has been making a lot of impact in the indie circles this past decade. With upcoming filmmakers from all over the world like Julia Ducournau, Ari Aster, Robert Eggers, Coralie Fargeat and others; it is an exciting time to be a filmgoer. But there is one man that has not only starred in great genre pieces, but has helped produced many of them as well. That man is Elijah Wood. Best known for his work in the "Lord of the Rings" trilogy, he has acted in interesting projects that took him out of the blockbuster luster. While there were films that did not succeed so well eg. "Green Street"; there were films that shocked audiences due to his change in image like "Maniac" (2012) and "Sin City" (2005). Since then, he has worked on more genre films like "Grand Piano" until he started his own production company (with Daniel Noah and Josh C. Waller) called Spectrevision; which produced fantastic films like "Mandy", "The Greasy Strangler" and "Colour Out of Space".

Review: Little Monsters

As part of their Huluween celebration, Hulu released “Little Monsters” (written and directed by Abe Forsythe) on October 11, 2019. The comedic zombie-horror flick comes just in time for spooky season and boasts a star-studded cast including Lupita Nyong’o (“Us”, “12 Years a Slave”, “Black Panther”) and Josh Gad (“Frozen”, “Beauty and the Beast”). Even with so many of the right ingredients, “Little Monsters” doesn’t follow through. Many of the jokes fall flat and the one-note characters make the film drag even though it’s just over ninety minutes long. 

31 Days of Horror, Day 25: American Mary

“American Mary” (2012) is a criminally underrated dark comedy and horror film directed by Jen and Sylvia Soska. Due to its subject matter and gore, it was not widely released. It was released to V.O.D. and DVD quickly, though, helping the film amass a cult following. “American Mary” is often left out in discussions about women in horror. It’s overshadowed by more popular cult classics like “Jennifer’s Body” and “The Descent”  — both of which are vital to discussions about women in horror — but it’s a mistake to ignore “American Mary.” The film is disgusting, cathartic and creative. It deserves to be ranked amongst the best body horror and rape revenge films of the past decade.

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