
LFF2022 Review: The Son
Film critic Calum Cooper reviews The Son, a film that stigmatises mental health and reduces its otherwise serious topic to a manipulative plot device. Continue reading LFF2022 Review: The Son
Film critic Calum Cooper reviews The Son, a film that stigmatises mental health and reduces its otherwise serious topic to a manipulative plot device. Continue reading LFF2022 Review: The Son
form of animated project is a labour of love but none more so than stop-motion animation. The studio behind classics such as “Coraline” and “Kubo and the Two Strings LAIKA”, is the ultimate Hollywood champion of claymation. But despite their 2019 Golden Globe winning feature “Missing Link” being an exemplary addition to their filmography, it, undeservedly, came and went with little fanfare. Continue reading Missing Link Review: Animated April