irector Lauren Greenfield has steadily built up a reputation as one of the finest voices in documentary cinema. She follows up her fascinatingly sprawling “Generation Wealth” (2018) with “The Kingmaker” (2019). Where her last work focused on many subjects to weave a portrait of late-era capitalism, here she initially focuses on Imelda Marcos. The former first lady of the Philippines, she is first seen as a peculiar figure, lavishly dressed and handing out moment to poverty-stricken children from the window of her minibus. Continue reading Review: The Kingmaker