Rian Johnson's new movie “Knives Out” is the best whodunit film since “Clue” (1985). The star-studded cast and multiple twists make it a wild ride, entertaining at every turn. With talents like Jamie Lee Curtis, Daniel Craig, LaKeith Stanfield, Chris Evans, Toni Colette, and so many more, I knew “Knives Out” would be good before I entered the theater. There was no way I could have predicted just how good, though. “Knives Out” is like popcorn; with each bite you can’t stop yourself from wanting a little bit more. As the mystery unravels, more questions arise and things get more and more complicated.
It is tragic that this year’s Halloween season has seen barely any worthwhile horror shaking up the box office. Sure, Robert Eggers’ “The Lighthouse” is being released here and there, but if what I’ve seen on #FilmTwitter is anything to go by, the film is still quite inaccessible to quite a substantial amount of people. So, if like me, you’re spending your Halloween on the couch of a friend’s house, with some pumpkin spice--allow me to suggest you revisit Steve Miner's "Halloween: H20". Only two (arguably three) of the six “Halloween” films released prior to this are worthy of a recommendation. This film--set 20 years after the events of Laurie Strode (Jamie Lee Curtis) barely escaping the hospital with her life on that fateful Halloween night--seems to have capitalized on the cultural zeitgeist of the “Scream” films (also worthy of a Halloween slasher binge).
She's fierce, polite, but will battle every guy in a mask. The beginning of the pop culture trope from the title started with Mari Collingwood in "The Last House on the Left" (1972). The phenomenon exists mainly in slasher films and refers to the main character, who is a female. It defines the last woman alive who is supposed to battle the serial killer and kill him. Often the final girl is a virgin. Always with excellent etiquette, she's also very friendly. A female character' trope introduced above is meant to survive everybody.