31 Days of Horror, Day 2: The Bad Batch

It seems a universal question in cinema: how does a director follow-up a hit debut? In the case of Ana Lily Amirpour, it is the beguiling, fascinating, frustrating “The Bad Batch” (2016). Having gained near-universal critical praise with her previous feature, the black-and-white Iran-set vampire drama “A Girl Walks Home Alone at Night” (2014), Amirpour takes the opportunity to sprawl out and tell a distinctly different tale.

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