Queen Anne, Sarah Churchill, and Abigail Hill. The pitch-perfect threesome in 2018’s “The Favourite.” The film is visually striking and the dialogue sharp. But it is the three women who captivate during the tussle to hold power in 18th century Great Britain. Continue reading Pride Month, Retrospective Review: “The Favourite”
Cards on the table. I am a member of Team Swift. Even though I am probably not the target demographic for her music. To me, she’s a clearly talented and interesting songwriter and performer, and whom I believe showed great promise with her early dabble in acting on an episode of C.S.I.
Except… there’s always been something slightly manufactured about Taylor. Is it her straight-line upward success trajectory from her early days in Country to being a Queen of Pop? Was it the constant headlines about her relationships with various men or her celebrity girl gang? And then there are the Kanye West shenanigans. She’s one of a handful of superstars that have grown up in the Social Media Age (see also, Gaga, Lady and Perry, Katy), and on the whole, has seemingly managed a public persona that’s.. well just darn nice. Possibly just too nice. Continue reading Review: Miss Americana
Here it is, 2019, and we’re just getting our very first feature film biopic of civil rights legend Harriet Tubman. It’s just a shame that it isn’t a more inspired one. Cynthia Erivo is more than competent in the lead role, bringing a vibrancy and determination to Tubman’s heroism, but the rest of the film is a drab, paint-by-numbers biopic.
Harriet was born a slave, under the name of Araminta Ross. When the film begins, she and her free husband John (Zackary Momoh) are unsuccessfully arguing the legality of her enslavement with her master. Their failure to negotiate Harriet’s freedom makes them so desperate that they discuss running away together, but circumstances transpire that force her to take the long, arduous journey north alone. Continue reading Review: Harriet