I have spent 5 years listening to the soundtrack, and unconsciously assumed the musical is named after, for and all directed to Alexander Hamilton (Lin Manuel Miranda); after all, the title of the first song is named ‘Alexander Hamilton.’ But I was stumped after I watched the filmed version for the first time to see the emotion Phillipa Soo put into her character of Eliza Schuyler Hamilton, and the final moment as she stares back into the audience, gasping. Continue reading “Hamilton” is Eliza’s Musical Review: Hamilton
When reflecting upon the cinema that we consumed as children, we often remember most fondly the tales that excited us, humoured us, or maybe even frightened us. For many, regardless of generation, Disney has been a big contributor to such memories. But the best children’s tales contain valuable messages, or even truths, in their stories. Although I was a teenager in his last year of high school when Disney’s “Frozen” (2013) was released, it is a film that I believe will allow children and adults alike to recognise and understand lessons in mental health for generations to come. Continue reading Mental Health Awareness Month: How “Frozen” Thaws Fearful Hearts
For Disney fans, it is hard to believe that “Frozen” (2013) was released just six years ago. The tale, inspired by Hans Christian Anderson’s “The Snow Queen,” has permeated pop culture in a way that even Walt Disney Pictures couldn’t have predicted when it was released. Directed by Chris Buck and Jennifer Lee, “Frozen”’s themes of family, love, isolation, and finding yourself have resonated with people across the globe. And of course, “Let It Go” became such a hit that it was almost impossible to avoid hearing it for many months. In addition to the film making it onto In Their Own League’s Top 50 Female Directed of the Decade list, now is an appropriate time to look back at the first “Frozen” film as its sequel has just been released. Continue reading ITOL Top 50 Films of the Decade, Entry No. 22: Frozen
Six years after asking, “Do you want to build a snowman?” Elsa and Anna return in Disney’s “Frozen 2”, this time facing change and the fear of uncertainty.
That’s a more philosophical antagonist for the sisters of Frozen, which earned $1.3 billion worldwide, and a journey that doesn’t entirely feel necessary or without plot holes. But credit director Chris Buck and writer-director Jennifer Lee with crafting an ultimately satisfying story of more mature themes for an audience that’s grown out of the dress-up stage. Continue reading Review: Frozen 2