Cinematic comedies can be a curious thing to examine, due to the fact that humour is very subjective. No matter how far out the premise a comedy may be, the humour can always reach its mark if one can relate to it and if it is delivered with panache. It could be a revisionist parody of the King Arthurian legend like Terry Jones’ and Terry Gilliam’s “Monty Python and the Holy Grail” (1975) or a taboo black comedy about the twisted human behaviour behind rape like Paul Verhoeven’s “Elle” (2016); if the execution and immersion of the humour and filmmaking work, comedy can always have the ability to reach for greener pastures. Continue reading Review: Greener Grass