By Tom Moore Classic horror monsters are making quite a comeback with a slew of new films fitting for the modern era of horror. Although Universal’s plans for a Dark Universe didn’t work out with “The Mummy” (2017), there was revitalized hope for the return of monstrous icons when Leigh Whannell excellently modernized “The Invisible Man”(2020). The film superbly gave the horror icon a more … Continue reading Four Female Directors taking on Classic Monsters
By James Cain The “Black Axe” series. “A Sun”. “Babyteeth”. Despite 2020 having a decent amount of time where you had nothing to do but stay inside and watch films, as with every year, there are still heaps of movies from the last 12 months that I’m yet to see. Thankfully, despite all of this, 2020 still featured a veritable smorgasbord of absolute bangers. So, … Continue reading JC’S TOP 20 MOVIES OF 2020
Phew! We’ve finally reached numbers 5 through 1. We hope you like our picks and maybe seek out the films that you haven’t yet seen. You can find numbers 15-11 here and numbers 10-6 here. Please let us know which films make your top 15 list and what films are you looking forward to catching later this year! A massive thank you to all the ITOL writers who contributed and voted. Here’s hoping the rest of 2020 won’t be so eventful! Continue reading ITOL Top 15 Films of 2020 (So Far), Numbers 5-1
The question I am you all have on your minds is: what’s the point? Why bother attempting to remake a classic film, based on a century-old novel? I scratched my head the moment I heard Leigh Whannell (screenwriter of “Saw” and Insidious”) was attached to pen the screenplay and direct. Given the recent trend of ‘woke’ films bombing–and the decision to shift the focus away from the invisible man himself–I couldn’t help but be baffled by how anyone thought this project was a worthwhile idea.
Now that I’ve seen it, I am horrified about just how current it feels. Universal clearly wasn’t interested in re-hashing old scare tactics and merely re-presenting an old tale with updated CGI. This iteration is one designed to deliberately carve out a new domain of horror on screen; it has brought to screen a reality that has existed for many people throughout time—a reality that has never been accessed on film before, especially with this much tangibility. Continue reading Review: The Invisible Man
Last year was probably one of the best years for film in quite some time. Throughout the entire fall, week after week, it felt like the phrase “oh, this is going to be in my top ten for sure” became incredibly common. From Bong-Ho Joon’s enthralling and mind-blowing depiction of class with “Parasite” to the box-office smashing end of the Infinity Saga with the Russo Brothers’ “Avengers: Endgame”, there were so many new kinds of stories and visions that constantly pushed genre boundaries. 2019 was especially a great year for female filmmakers as there was an onslaught of incredible films from both new and already established women in film. Continue reading The Most Anticipated Movies of 2020