“I don’t feel anything”, Jonathan (Yonatan Langer, also known as the internationally-recognized porn star Jonathan Agassi) laments at the end of the film, having ostensibly reached an all-time low. He is broken, sick, depressed, numb, and addicted to drugs. He’s also a hardcore gay pornstar who does some escorting on the side. This documentary (by Tomer Heymann) establishes early on that porn is about building a fantasy and attempting to break the fourth wall. Here, we scratch the surface of Yonatan’s psyche; we learn that despite all the supposed fun that keeps pornstars like him busy, he seems terribly dissatisfied.
This is the female gaze like you’ve never seen it before. "Portrait"--a film set in Brittany, France in the 18th century--is a showcase of how the depths of insight and poignancy in a work of art comes as a result of the artist having a deep, loving, obsessive understanding of their subject. It is a film about two women on an island with hardly anyone else around them and the painfully, yet deliciously slow romance that materializes from a connection of their minds, bodies, and souls. The film is thematically rich and daring, yet never once seeks to shove a message or agenda down your throat; it’s a love story, plain and simple. Writer/director Céline Sciamma clearly isn’t interested in subverting history in an effort to appease the needs of a contemporary audience--yet in spite of that, this is a film brimming with human truths. It is reminiscent of the underpinnings and themes found Greek and Gothic literature and poetry. Tender, yet complex and multifaceted--this is in no way a political film, but rather, a subtle social commentary on the kinds of job opportunities available to women in the 18th century.
Year: 2010 Runtime: 106 Minutes Director: Lisa Cholodenoko Writer: Lisa Cholodenoko & Stuart Blumberg Stars: Annette Bening, Julianne Moore, Mia Wasikowska, Josh Hutcherson, Mark Ruffalo By Caz Armstrong “The Kids Are All Right” (2010), directed and co-written by Lisa Cholodenoko, is an expertly acted comedy-drama with complex emotions and a backdrop of a lesbian relationship.... Continue Reading →
It was disheartening to read that a butchered version of one of this year’s best films, "Booksmart", was shown on Delta’s aeroplanes. It was reported that “A version of the coming-of-age comedy that is being shown on Delta doesn't include a hookup scene between two teenage girls and eliminates references to female sexuality.” Thankfully, Delta has recognized the problem and is now making the film available in its entirety. This whole story must be discussed as it says some telling things about prejudices and biases that, sadly, are still present today.
"Cloud Atlas" (2012) is not an easy film to understand. In this sense, it owes a debt to another film about time, space and mankind’s cyclical movement through both, Kubrick’s “2001: A Space Odyssey” (1968). Whereas Kubrick asked where mankind was going, directors Tom Tykwer, Lana Wachowski, and Lilly Wachowski seem to answer that wherever we’re going, we’ve been there before.
“Cloud Atlas” defies a simple plot summary. It is essentially a series of interconnecting stories of people who live and die in different eras of time but who might be the same people reincarnated to face similar challenges repeatedly in an attempt to change the course of mankind’s fate. The truth at the heart of the film is that all of humankind are metaphorically like the multitude of drops that make up an ocean.
Heartbreak is the worst, and heartbreak in New York City is a crime against the universe. All it takes is a little New York ingenuity, some comic misadventures, and then everything will come back together again, right? That’s how it works in a romantic comedy!
But what about when the star of our romantic comedy isn’t just a typical New York artist? What about when she’s bisexual out of work journalist, when she’s the daughter of traditional Iranian immigrants, and when she’s determined to get back together with her ex-girlfriend?
We were very lucky to chat with Colin Stacy the founder of the fantastic Tees-en-scène, a wonderful t-shirt company that celebrates women in film, queer filmmakers and people of colour working in the industry. Their designs are really stylish, and more importantly they're helping to promote the work of filmmakers who have been ignored in the past. We would like to say thank you to Colin for his time and make sure to support Tees-en-scène.
A creative force to be reckoned with. This woman graduated as a dancer, choreographed dance shows, made music, directed plays and wrote and directed world-class movies. And all this output can be traced back to when she was the tender age of 14 and made her first 8mm films. Her name: Sally Potter.
If you have seen one or two Potter films, you may think that she broke or rejected the conventions of mainstream film making, but that isn’t quite right. What Potter does with her films is let them speak. The ideas within them come out in ways that are free forming and she follows the flow of them until they are completed films. They are not without structure or form; they are parts of the human condition that have been given freedom of expression.
When "Carol" premiered, the film received a 10-minute standing ovation at the 2015 Cannes Film Festival. The motion picture based on Patricia Highsmith's novel titled "The Price of Salt" was shot on Super 16 millimeter film. Todd Haynes, the director and Phyllis Nagy who wrote a screenplay, wanted "Carol" to look and have an atmosphere of the late 1940s/early 1950s. Both did such an outstanding job.