SXSW Review: Rare Beasts

“I give really bad blowjobs” laments Mandy (writer/director/star Billie Piper) on a first date as “Rare Beasts” opens. Mandy, a clearly agitated yet quirky woman prone to over-analyzing herself sits across her work colleague, Pete (Leo Bill). He postulates that he is religious that “modern women have more testosterone coursing through their veins than blood”. Mandy’s response? She ends the date by sprinting across the street and regurgitating the dinner they had just had onto the sidewalk. This is the best indicticator of the tone to follow: a blend of cringe-inducing, self-deprecating, visual humor confidently presented through a woman’s unfiltered vision. This is a wonderfully stylish and brave film that offers a new and unique perspective on the role of the modern woman in today’s society.

ITOL 2019 Round-up: Little Woods

“Little Woods” isn’t a perfect film, but it certainly is an indication that Nia DaCosta is a director to keep our eye on. While it has much to say about the United States that is particularly relevant, it is also a movie about the lengths that sisters will go to for each other. If you’re looking to catch up on some films in 2019 that were overlooked, “Little Woods” is a great place to start.

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