Review: Here Comes Hell

A weekend in the country can be a nightmare, if the right combination of people are thrown together. Writer-director Jack McHenry and co-writer Alice Sidgwick have taken this thought and run with it for their feature debut “Here Comes Hell”: a horror-comedy of the same gore-fest breed as Sam Raimi’s “Evil Dead” films, with the action instead taking place in an English country estate in the 1930s rather than in a cabin in the woods. The estate in question is Westwood Manor, recently acquired by the heir of a vast family fortune who has invited his friends to a dinner party at his new home. Naturally, post-dinner entertainment includes a seance - complete with an eccentric medium - which goes just as well as any cinematic encounter with the hereafter has done previously (with the exception of “Ghost”, of course).

Review: “Last Christmas” (2019) Universal

f Emilia Clarke was looking to step out and reinvent herself after eight years as Game of Thrones’ Daenerys Targaryen, then “LAST CHRISTMAS” would be that vehicle. Along with her character choice of Kate, a wayward and dysfunctional wanna-be actress in her 20’s, who spends her day working as an Elf selling year round Christmas monstrosities – well you couldn’t be further removed from the queen of dragons herself with this one. Her boss, in what is sure to be London’s gaudiest Christmas store, conveniently goes by the moniker “Santa” (Michelle Yeoh), constantly admonishes Kate for her shortcoming, and there are many of them. As a matter of fact, Kate is simply just the worst. Her nights are devoted to getting plastered, trying to find one in the endless array of couches to crash on – and mornings, well mornings are spent trying to recall the who/what/where of the previous evening shenanigans.

WordPress.com.

Up ↑