Director Nina Menkes of the Sundance 2022 documentary “Brainwashed: Sex-Camera-Power,” and her colleagues discuss objectifying film techniques, the male gaze, and encouraging an “individual gaze” for creative filmmaking. Film site In Their Own League has more details. Continue reading “I’m Into an Individual Gaze”: Director Nina Menkes and Colleagues at Sundance 2022 Talk Sexism and Being “Brainwashed”
The documentary “Brainwashed: Sex-Camera-Power”(2022) is sad, infuriating, and revelatory. Objectifying women in film and media is nothing new; yet in analyzing how filmmakers shoot men and women differently, director Nina Menkes shows just how entrenched—and insidious—this way of seeing is. More in this film review from In Their Own League Continue reading Sundance 2022 Review: “Brainwashed: Sex-Camera-Power”
“Do you want to watch this with me?” I am home for the holidays and my mom, a movie-buff, is gearing up to watch the documentary film, “Half the Picture” (2018). “Half the Picture” looks at female filmmakers, their stories, their films, and more importantly, giving them the space to talk about the hurdles they have had to climb throughout their careers. The filmmakers each had unique hurdles for their films, but the blatant gender inequality experienced was universal. Thanks Mom for introducing me to this film.
“Half the Picture” was directed by female filmmaker, Amy Adrion. Adrion’s film perfectly balances the valiant victories and the lowest lows. It is an intimate look at women in different stages of their careers, all with a plethora of film credits. It ponders if the current conversations in film will lead to a paradigm shift or if this is simply a brief respite from systemic discrimination. Will the current atmosphere lead to the change film and TV need? It is an inspiring, and at times frustrating, film. So much has been done, yet there remains so much to do. Continue reading Exclusive Interview With Director Amy Adrion About “Half the Picture”