Marielle Heller's "Can You Ever Forgive Me?" is a favourite among the ITOL team, I mean it landed at number 6 on our Top 50 Films of the Decade list for no reason. And, while Heller made her debut with "The Diary of a Teenage Girl", it is "Can You Ever Forgive Me?" where we see Heller shine as well as prove her capability as a director. It's also worth mentioning that Heller latest film "A Beautiful Day in the Neighborhood" is proof that she's not just a one-hit-wonder. It's clear that this is a filmmaker that is here to stay. Despite garnering positive views and also picking up Oscar nominations for Melissa McCarthy, Richard E. Grant and best-adapted screenplay for Nicole Holofcener and Jeff Whitty, Heller was completely ignored by the Academy for Best Director.
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 24 is Melissa McCarthy, and guest writer Billie Melissa discusses McCarthy's career over the last decade
With awards season in full swing and director Marielle Heller’s newest film “A Beautiful Day in the Neighborhood” being a big name in all the awards buzz, it’s the perfect time to look back to last year when she brought the story of author Lee Israel to life with “Can You Ever Forgive Me?”. There wasn’t a film that I backed as hard last year to win any and every award possible as much as this film because I truly think it’s perfect. It tells the fascinating and true story of Israel (Melissa McCarthy) falling out of touch with the modern world of literature and turning her talent for being factual into a forgery.
It’s always a refreshing experience to see films with female protagonists; films which tell a woman’s story--the kind of story that is unique to the female lived experience. These female-focused stories are just as valid as the ones that men have, and we see male stories embodied in films constantly. Being a man is not the default state of what it means to be human.
This is not a comedy. Ordinarily a movie review would not begin by telling you what the movie is not, but when the theater marquee flashes “Starring Melissa McCarthy and Tiffany Haddish”, most anyone would assume they are in for a 2-hour laugh out loud romp with the promise of some outlandish one-liners to drop at the next party. Instead, the directorial debut from Andrea Berloff is a relatively violent mob movie.