ITOL Top 50 Films of the Decade, Entry No. 30: Toni Erdmann

With her third feature film, Maren Ade announced herself on to the international scene during 2016, with her robust, confounding comedy of delicate, deliberate and disastrously strained parental ties. A thematic notion achieved with such success is not often seen in cinema, capturing the fraught emotional bonds of a career-driven daughter and her aloof father. As varying dynamics exist in relationships between adulthood and childhood and vice versa, very few directors have successfully articulated and dramatised them as well as Ade. A remarkable cinematic achievement, creating a film that is deeply human and tragically nostalgic and profound whilst absurdly comedic.

Review: In My Room

In this quiet, sweet little German flick, ‘tis the end of humanity as we know it. Time and time again we’ve seen Hollywood emphasize, in many terrifying ways, just how something like this could come about: invading aliens, nuclear warfare, immense natural disasters… yet none of that (at least none seen in the context of this story at least) is seen here. Humanity just disappears; one could probably argue this film takes place in the same universe where Thanos’ snap severely depopulates the world (it would be nice to think about how this was how some human beings lived their lives in the 5 years it took for the Avengers to get their you-know-what together, but I digress). No Hollywood junk to be found here, just pure truths and insights which are inherent in all humans; which exist in both the context of the hectic day-to-day lives we all lead, and the fictional scenario presented here.

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