Year: 2021Runtime: 110 minutesDirector: Azazel JacobsWriter: Patrick DeWittStars: Michelle Pfeiffer, Lucas Hedges, Valerie Mahaffey, Susan Coyne, Imogen Poots, Danielle Macdonald, Isaach De Bankolé, Tracey Letts By Morgan Roberts Frances (Michelle Pfeiffer) is a flailing socialite, trying to squeeze out her dwindling inheritance for her remaining years. Her son, Malcolm (Lucas Hedges), loyally remains by her side as this already destructive woman begins her hurricane of … Continue reading Review: French Exit
Year: 1987Duration: 118 minutesDirector: George MillerWriter: Michael CristoferStarring: Cher, Susan Sarandon, Michelle Pfeiffer, Jack Nicholson By Juli Horsford “The Witches of Eastwick” is not necessarily a Halloween movie, but it’s zany enough that it might help you get into the spirit. Despite the title containing the word “witches,” that word is never actually mentioned in the movie. We’re left with the opportunity to interpret the … Continue reading Retrospective Review: Witches of Eastwick
“The Prince of Egypt” is one of the greatest animated movies of all time. It has a captivating story, unforgettable music, and beautiful animation which appeals to all viewers, even if they don’t practice one of the religions that feature the story of Moses. This was writer and artist Brenda Chapman’s first film as a director as well as the first animated film featuring a woman director at a major studio. Chapman would later go on to be the first woman to win Best Animated Feature at the Oscars for “Brave” (2012). Continue reading Animated April, Retrospective Review: The Prince of Egypt
“Maleficent” still stands out as something of a black sheep within Disney’s recent live-action catalogue. Instead of a simple remake or sequel, the film instead presents a revisionist retelling of Sleeping Beauty from its villain’s point of view whilst also turning the narrative into an allegory for sexual assault and abusive relationships.
The final result was admittedly ambitious but sloppy and ill-conceived (you can read my recent reappraisal of its botched metaphors here), but it did well financially so a sequel was always on the cards. After covering the entirety of the original tale, where exactly Mistress of Evil has to go from there seems a bit nebulous on first thought but, and this is an especially relieving shock to me, the final results are far beyond what anyone would reasonably expect. Continue reading MALEFICENT: MISTRESS OF EVIL – an Alternative Lens review