The last scenes of Ari Aster’s premier horror masterpiece “Hereditary” (2018) take viewers through a winding middle-American manor, with dysfunctional family dynamics incarnated as demons in the eerie night-time environment. Aster abandons this classic horror imagery for a more subversive setting in “Midsommar” (2019), where his familiar formula of manifesting the characters’ resentments towards one another as violent retribution instead takes place in the long-lasting daylight of a secluded, Scandinavian commune. Continue reading The Terror of TERFs Revealed in “Midsommar’s” Summertime Setting
To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 10 is Florence Pugh, and writer James Cain discusses Pugh’s career over the last decade. Continue reading Best Actress of the Decade, Entry No. 10: Florence Pugh
2019 was an eventful year for me, I grew so much as a person and found an outlet to express my writing and thoughts about film as a whole. This isn’t a definitive list by any means but a list of the films that have had the biggest impact on me personally. I have a lot to say about some of these so let’s get started, shall we? Continue reading Reyna’s Top 10 of 2019
As we approach the end of 2019, the ITOL team are compiling their end of year lists of their favourite films. Here’s James Cain’s list and his personal top 20 films of 2019!
Another year, another fresh bout of shame. I didn’t see “Hustlers”! I didn’t fit “Always Be My Maybe” onto my list of favourite movies! Anyway, here are my Top 20 Films of 2019. Continue reading JC’s Top 20 Movies Of 2019
There is no excerpt because this is a protected post. Continue reading Protected: Ari Aster’s Hereditary and Midsommar Show us What it’s Like for Women to Grieve
The problem can’t be solved if it can’t be found, and this summer, we found some problems lurking in soft-spoken packages. “Midsommar” (2019) takes familial and romantic trauma and moves it outside, into the light of the unceasing Swedish sun; “Ready or Not” (2019) takes a bright new beginning inside, into the cloistered, candle-lit mansion. Over the course of each film, our final girls find the true nemesis is not within themselves, but without: their lives have taken an unexpected turn because of the men who are closest to them. How could these guys ever hurt anyone? They have the best intentions, and they never mean any harm! They’re nice guys! Continue reading Nice is the New Summer Scare