ometimes you see a film that encapsulates something so enraging and freeing and vindicating it’s like a punch in the face and you want to run up to your fellow cinemagoers and shout “wasn’t that amazing!!” “Judy and Punch” (2019) is one such film. It’s darkly funny and a rallying call to a radical revolution of open-mindedness and inclusivity. These things are not the realm of wishy-washy millennial snowflakes as social media trolls would have us believe, but strong people willing to risk their lives standing up to tyranny and braying mobs who are choosing which rocks to stone them to death with.
This upcoming Wednesday, (2nd October), is when this year's LFF (London Film Festival) will be starting. Yours truly will be attending for a few days and doing her best to cram as many films as possible. This year's festival is quite remarkable in the fact that 60% of films which have been selected for the competition have been directed or co-directed by a female. This is a great achievement for female representation in the industry, especially when we recall how this year's Venice Film Festival only two films in competition were from a female filmmaker.