How does one update a greek tragedy written in 441BC? This was the task taken on by Canadian director, Sophie Deraspe. Inspired by the 2008 death of Fredy Villanueva in Montreal, Deraspe was awestruck by the character of Antigone. In an interview with Seventh Row, she stated the following: “I was struck by her sense of dignity, her intelligence. She goes against the law, but for something that she really believes is the right thing to do. She stays true to herself. Even if it’s a tragedy, it was, to me, very uplifting.” With Nahéma Ricci’s outstanding performance and Deraspe writing and direction, “Antigone” does indeed have a very uplifting element to it, demonstrating the power of love and duty to one’s own family. Despite being based on the ancient play, it is very much a film that feels very contemporary and completely necessary for the on-going issues of migration, police brutality and racism that plagues our western world. Continue reading Review: Antigone
“Beginning” (2020) is a hypnotic and disquieting debut feature by Georgian director Déa Kulumbegashvili. Having made waves at San Sebastian it has been selected as Georgia’s entry for the Best International Feature award at the 2021 Oscars. Shot in 35mm, the strength and intensity of the direction in particular makes for a very a striking film. Continue reading Review: Beginning (Dasatskisi)
When it comes to countries blighted by war, it’s easy to become used to thinking of that nation as simply a warzone. You read about towns being taken, bases being mortared, bridges being destroyed, thinking of the poor civilians losing their lives in a fashion to which you probably can’t relate. You might forget that in between all of this, the people of this warzone nation are going about their daily lives, however strange or bleak this normalcy might be in comparison to your own.
BAFTA-winning and Oscar-nominated British documentary short “Learning to Skateboard in a Warzone (If You’re a Girl)” reminds you of this routine (or strive for routine) in quick fashion. Continue reading Short Film Review: Learning to Skateboard in a Warzone (If You’re a Girl)
The recent Oscar buzz around Sam Mendes’ “1917” prompted a reviewing of one of the more famous war films of the 1940’s, “Best Years of Our Lives” (1946). Myrna Loy deserved a Best Supporting Actress Oscar for her role in this male dominated film as a much-needed representative of the women who welcomed their men home from WWII. To a lesser extent, Teresa Wright also deserved recognition, but it is Loy who helps tie the stories of three servicemen just returning home together into one powerfully moving story. Continue reading Should’ve Been a Contender: Myrna Loy for “Best Years of Our Lives”
To celebrate the last decade 2010-2019, we are counting down the best actresses and discussing some of their most notable and memorable performances of the decade. With the help of Film Twitter, the ITOL team has selected 30 actresses. Guest Writer Alexandra Petrache looks back at Lupita Nyong’o and her career over the last decade. Continue reading Best Actress of the Decade, Entry No.1: Lupita Nyong’o
To celebrate the last decade 2010-2019, we are counting down the best actresses and discussing some of their most notable and memorable performances of the decade. With the help of Film Twitter, the ITOL team has selected 30 actresses. Writer Joan Amenn writes about Entry No. 3 Olivia Colman and her performance in “The Favourite”. Continue reading Best Actress of the Decade, Entry No 3: Olivia Colman
Hall does amazing work with this complex and easily dismissed person. She gives Chubbuck an air of confidence muddled with insecurity in several pivotal scenes. There is an authenticity to her portrayal. It is earnest, caring, and understanding. Something Chubbuck desperately needed. Continue reading Should’ve Been a Contender: Rebecca Hall for “Christine”
Marielle Heller’s “Can You Ever Forgive Me?” is a favourite among the ITOL team, I mean it landed at number 6 on our Top 50 Films of the Decade list for no reason. And, while Heller made her debut with “The Diary of a Teenage Girl”, it is “Can You Ever Forgive Me?” where we see Heller shine as well as prove her capability as a director. It’s also worth mentioning that Heller latest film “A Beautiful Day in the Neighborhood” is proof that she’s not just a one-hit-wonder. It’s clear that this is a filmmaker that is here to stay.
Despite garnering positive views and also picking up Oscar nominations for Melissa McCarthy, Richard E. Grant and best-adapted screenplay for Nicole Holofcener and Jeff Whitty, Heller was completely ignored by the Academy for Best Director. Continue reading Should’ve Been a Contender: Marielle Heller for “Can You Ever Forgive Me?”
It’s hard to fathom that an actress as talented as Knightley has no Oscars to her name and only two nominations. She deserved nominations and should have been considered for her performances in “Atonement” and “Colette,” amongst other performances throughout her varied career. Hopefully, she will receive her long-awaited and much deserved Oscar some day in the future. Continue reading Should’ve Been a Contender: Keira Knightley for “Atonement” and “Colette”
Every year, the Academy of Motion Pictures Arts and Sciences (AMPAS) holds an annual award show honouring the best and boldest in filmmaking. And every year, there is an extensive discourse on who was snubbed or overlooked or incorrectly nominated. I have those opinions each awards season but there is one snub that still gets me: Ava DuVernay.
When her film “Selma” premiered in 2014, it was staggering to see the level of detail put into every aspect of that film. The history, the acting, the cinematography, the set design, and so on. But the direction and momentum of the film rested solely with DuVernay. Continue reading Should’ve Been a Contender: Ava DuVernay For “Selma”