Year: 2021 Runtime: 98 minutes Director: Rebecca Hall Writers: Rebecca Hall, Nella Larsen (novella) Actors: Tessa Thompson, Ruth Negga, Andre Holland, Alexander Skrasgard, Bill Camp By Tom Moore Rebecca Hall’s feature directorial debut touches on a unique story on “racial passing” through excellent performances and depictions that burrow into your mind with “Passing” (2021). “Passing”, which is based on the 1929 novel of the same … Continue reading Passing: NYFF 2021 Review
Based on the 1929 novella of the same name, “Passing” (2021) is a look at racial identity, gender, sexuality, and class. The film follows childhood friends Irene (Tessa Thompson) and Clare (Ruth Negga) who reconnect later in life. Irene lives her life as a Black woman and passes as white from time to time for convenience. Clare, however, has chosen live life as a white woman, likely continuing to do so due to her husband John’s (Alexander Skarsgård) racist viewpoint. Hence, the title “Passing.” Continue reading Sundance Review: “Passing”
I remember watching “Christine” (2016) the first time. I went into the film knowing nothing about Christine Chubbuck or her life. I knew minimal about broadcast journalism in the 1970s. But watching the film was an eye-opening and haunting experience.
The real life Christine Chubbuck is not a household name. She was a television reporter in the Sarasota, Florida area, and worked on human stories; finding interest in the seemingly mundane about people. But in the 1970s, the world was shifting from feel-good news pieces to the mentality of “If it bleeds, it leads.” The 1970s is when we saw the rise of the Vietnam War, and serial killers dominated headlines. There was a paradigm shift and Chubbuck was not ready. Sure, she was interested in politics and asking tough questions, but she was intrigued with others, how they operated and what made them tick. Continue reading Mental Health Awareness Month Review: “Christine”
Hall does amazing work with this complex and easily dismissed person. She gives Chubbuck an air of confidence muddled with insecurity in several pivotal scenes. There is an authenticity to her portrayal. It is earnest, caring, and understanding. Something Chubbuck desperately needed. Continue reading Should’ve Been a Contender: Rebecca Hall for “Christine”