
Retrospective: Perfect Blue (1997)
Calum Cooper writes a retrospective review to celebrate the 25th anniversary of Satoshi Kon’s Perfect Blue, discussing how it has only become scarier with time. Continue reading Retrospective: Perfect Blue (1997)
Calum Cooper writes a retrospective review to celebrate the 25th anniversary of Satoshi Kon’s Perfect Blue, discussing how it has only become scarier with time. Continue reading Retrospective: Perfect Blue (1997)
Film critic Calum Cooper writes a retrospective piece on Sight & Sound’s newest greatest film of all time, Chantal Akerman’s Jeanne Dielman. Continue reading Retrospective: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
By Joan Amenn Rarely, if ever, has a single year contained more film releases that focused on women’s issues and concerns. From epic adventures to ensemble dramas to historical biopics, 2022 offered many opportunities for women’s voices to be heard. Personally, there were some that resonated deeply and still leave me thinking about them even now. Before we delve into a whole new year of … Continue reading Hearing Women’s Voices: Films of 2022
By Joan Amenn Tolstoy wrote that “happy families are all alike, every unhappy family is unhappy in its own way.” The Corleone family in “The Godfather” (1972) is not a happy family, despite throwing a lavish wedding party that presents a unified front of prestige and wealth. The children all carry destructive motives of jealousy, insecurity and an inbred thirst for power so how can … Continue reading Families in Film Retrospective: The Corleone Family of The Godfather
By Joan Amenn There are films that are noir and there is “Laura” (1944) which is in a class by itself. Nominated for five Oscars and winning for Best Black and White Cinematography, “Laura” is the kind of film that can be viewed many times over and never grows tired. Much like the portrait of the femme fatale herself, it has charm and elegance, and … Continue reading Noirvember Retrospective: Laura
By Brian Skutle The reasons I watched Karen Arthur’s “Lady Beware” (1987) in 1997 were not the reasons that I do now. I had just developed a crush on Diane Lane after “Murder at 1600” (1997), and this erotic thriller was one of the films that fed that- in some ways, for part of the reasons why Arthur would come to disown the film. Over … Continue reading “Lady Beware”: A Flawed, Feminist Look at Erotic Fantasy
By Brian Skutle When “A League of Their Own” was in theatres in 1992, I remember my mom and grandfather and I going to see it. I thought it was a good movie, and it was something we taped off of HBO to watch. I was going on 15, though, and relatively new to really starting to watch movies on a regular basis, so the … Continue reading 30 Years Later, “A League of Their Own” Still Wins
By Brian Skutle We all have points of reference for when we’re introduced to an actor, and whatever that is has a tendency to imprint on us, and influence us whenever we see them in other movies. If your first time really seeing, say, Robert Downey Jr., was in “Iron Man” (2008) or any of his performances as Tony Stark, you’re not going to be … Continue reading Jennifer Connelly: Warmth and Heart, Even in Darkness
By Joan Amenn Ask any high school American Literature major what the most challenging book was on their required reading list and chances are, they’ll reply “Moby Dick.” No wonder then that the film version was not exactly a doggy paddle to adapt either. Director John Huston was no doubt attracted to the male centric story of revenge but the way screenwriter (and famous science … Continue reading Deep Dive July Retrospective: Moby Dick and the Triumph of the Feminine
By Joan Amenn I am a fourth generation Italian American. The stories of my ancestors that I grew up with both mirror and contrast with how my ethnicity have been depicted on screen, much like anyone else’s cultural heritage when subjected to dramatization. Here are some of the films that have special meaning to me. 1. The Godfather Parts 1 & 2 (1972, 1974): I’m … Continue reading Top 5 Favorite Films about Italian American Culture