Over the years, genre cinema has had a lot of examples of crime dramas from the female perspective. We have had stellar examples further in the past like Kathryn Bigelow’s sharp “Blue Steel” (1990) and F. Gary Gray’s “Set It Off” (1996) and just recently, we had Lorene Scarafia’s vibrant “Hustlers” (2019) and Andrea Berloff’s problematic “The Kitchen” (2019). On the more ambitious side, we have had crime films that meld with other genres like Park Chan-wook’s artistic “Sympathy for Lady Vengeance” (2005), Carol Morley’s “Out of Blue” (2018) and Harmony Korine’s “Spring Breakers” (2012).
In the case of Abner Pastoll’s “A Good Woman Is Hard To Find” (2019), we have that perspective alongside other promising notions that make the film look great on paper. Firstly, it is a British film; and British cinema is well-known for their intensity within crime stories like James Watkins’ “Eden Lake” (2008) and Daniel Barber’s “Harry Brown” (2009). Continue reading Review: A Good Woman Is Hard To Find