What would you do if you had to relive the same night, over and over again, dying in a new way each time? Oh, and what if that day is your 36th birthday?
That is where Nadia (Natasha Lyonne) finds herself. This existentially dark, “Groundhog’s Day”-esque show takes us down a path of self-discovery, alternate timelines, and redemption. I won’t give too much away. “Russian Doll” is a particularly special show, and to ruin the magic of a first time watch would be criminal. So, you’re just going to have to trust me that it is worth going down the rabbit hole for this one.
“Russian Doll” hinges upon Lyonne’s performance. She does not disappoint. Continue reading Social Isolation Review: “Russian Doll”
At the 2018 New York Film Festival, actress Carey Mulligan was asked how she could get into character for someone as unlikable as Jeannette in “Wildlife” (2018). Mulligan explained to the shortsighted audience member that likability is more than niceness. It is finding a connection in someone. Mulligan transformed herself into Jeannette, a young mother who, while her husband is away, has an affair as she tries to find herself again. It is a beautiful performance about the way definitions can be thrust upon and shackle women.
So, what made her unlikable? Was it the infidelity? The selfishness? The uncomfortable self-exploration? It seems that male characters can do and be those things. We call them “complex” or “complicated.” We label them the “anti-hero.” But what makes that journey different for women? Continue reading Why the Unlikable Woman is More Likable Than You Think