Year: 2020 Runtime: 120 minutes Writer/Director: Francis Lee Stars: Kate Winslet, Saoirse Ronan, Gemma Jones, James McArdle, Fiona Shaw By Nicole Ackman With a starry cast and a fascinating premise, “Ammonite” has garnered much attention from the moment it was announced. The period drama is written and directed by Francis Lee and loosely inspired by the life of British paleontologist Mary Anning. The film revolves … Continue reading Review: Ammonite
Action films aren’t exactly what you think of when you hear director Joe Wright or actress Saoirse Ronan’s names. They probably conjure thoughts of period dramas, like the 2007 “Atonement” that they worked on together. And yet, in 2011, Wright directed Ronan in “Hanna,” an action film that has been compared to the Bourne movies, and did remarkably good job. Continue reading #WomeninAction Retrospective Review: Hanna
To celebrate the last decade 2010-2019, we are counting down the best actresses and discussing some of their most notable and memorable performances of the decade. With the help of Film Twitter, the ITOL team has selected 30 actresses. Writer Caz Armstrong examines Saoirse Ronan career over the last decade, and discusses some of her most memorable roles. Continue reading Best Actress of the Decade, Entry No. 8: Saoirse Ronan
In the opening scene of “Little Women” (2019), when we see Saoirse Ronan’s character entering a publisher’s office to try to sell her work and get herself taken seriously as a writer, we’re not just seeing the character of Jo March. We’re also seeing Louisa May Alcott, who wrote the novel that the film is adapted from, and perhaps even the film’s writer and director Greta Gerwig herself. Continue reading ITOL 2019 Round-up: Little Women
2019 was an eventful year for me, I grew so much as a person and found an outlet to express my writing and thoughts about film as a whole. This isn’t a definitive list by any means but a list of the films that have had the biggest impact on me personally. I have a lot to say about some of these so let’s get started, shall we? Continue reading Reyna’s Top 10 of 2019
I have never read the book “Little Women” by Louisa May Alcott or seen any of the previous adaptations. I have little interest in period dramas, frocks and debutant balls. All I knew about the film was that there were a bunch of teenage-ish girls, it was written 150 years ago and the Joey on Friends got upset about one of the characters dying.
So, I knew I’d be a hard sell on this but after a shaky start this film really won me over. Continue reading A first timer’s view of “Little Women”
It’s not an easy task to adapt one of the most famous American novels of all time for the screen. Not only has Louisa May Alcott’s “Little Women” been beloved since it was first published in 1868, it has also had several well-regarded film adaptations before, starring actresses like Katharine Hepburn and Winona Ryder. And yet, if anyone was going to take on this mammoth task, Greta Gerwig seems like the perfect person. Gerwig broke onto the directing scene in 2017 with her first film, “Lady Bird,” a coming-of-age story starring Saoirse Ronan. She returns this year with one of the most iconic female coming-of-age stories of all time, “Little Women,” refreshed and updated for a modern audience without losing any of the spirit of the book — and once again starring Saoirse Ronan. Continue reading Review: Little Women (2019)
The titular character of Greta Gerwig’s coming-of-age classic, “Lady Bird” (2017) is equal parts pretentious and endearing. Lady Bird – as stated above, a name given to herself by herself – navigates her senior year of high school and the many relationships encompassed within it. The premise of the film is simple. A coming-of-age story. But what is extraordinary is how it taps into the humanness of growing up. “Lady Bird” for me is what “Boyhood” (2014) did for my brother. It held up a mirror to my most vulnerable truths, and actually made me feel okay about that.
Lady Bird, portrayed so earnestly by Saoirse Ronan, is dramatic. “Come here often?” she asks her crush in the grocery store as if they are gender-bending roles in an old Western. She calls herself from the wrong side of the tracks when there are literal railroad tracks to get to her house. Continue reading ITOL Top 50 Films of the Decade, Entry No. 1: Lady Bird
In Their Own League 