By Joan Amenn Rarely, if ever, has a single year contained more film releases that focused on women’s issues and concerns. From epic adventures to ensemble dramas to historical biopics, 2022 offered many opportunities for women’s voices to be heard. Personally, there were some that resonated deeply and still leave me thinking about them even now. Before we delve into a whole new year of … Continue reading Hearing Women’s Voices: Films of 2022
We now live in a time where it seems like every major studio has its own streaming service. This can be great for those who like to pick and choose specifically what they want to watch, but if you want to have it all, it can cost you a pretty penny. Over the past couple of years I’ve become
a strong proponent of ad-based streaming services. The one I champion the most is a service called Tubi TV. They started out as a company based out of San Francisco and were recently purchased by the Fox Corporation, (I hope that didn’t scare you away). Continue reading 25 Films Directed By Women That You Can Watch For Free
“Take this Waltz” (2011) has the main character’s story undone slowly, with a meditative and varied look on relationships. There is a lot of restraint with the film, and its patience is where it flourishes, because it allows a deeper engagement with the subjects and the questions that it creates.
Margot (Michelle Williams) and Lou Seth Rogan are a married couple, distant at times, but with their own cute comforts and familiarities. There’s a sadness to Margot even though their life seems to be good. They are both writers, him a cook crafting a chicken recipe book, and her a writer of pamphlets for tourist locations. Continue reading Retrospective Review: Take This Waltz
No family is normal. I consider the word “normal” as an oxymoron, to say that one is “normal” is such a odd phase and it just feels so underwhelming. As a chid, I always strived to be part of a normal family, but perhaps I was part of a normal family all along? We were a family that had its own secrets. In my adulthood, I realise that in all of our families, there will be some form of a secret past that the family tries to cover up or try to bury. We are only human after all, it’s in our nature to protect the ones we love from the truth. Continue reading ITOL Top 50 Films of the Decade, Entry No. 26: Stories We Tell