Year: 2021Duration: 115mDirector: Jesper W NielsenWriter: Christian Torpe (screenplay), Christian Jungersen (novel)Starring: Danica Curcic, Amanda Collin, Sidse Babett Knudsen, Lene Maria Christiensen By Caz Armstrong “The Exception” (“Undtagelsen”) is a new Danish psychological thriller from director Jesper W Nielsen, who has a track record working on dramatic thrillers like “Borgen,” “Redwater” and “Greyzone.” “The Exception” is a thriller with a point to make about innate evil and how … Continue reading Review: The Exception (Undtagelsen)
In her feature film debut, “Wildland”, Jeannette Nordahl takes audiences on a haunting rollercoaster. Ida (Sandra Guldberg Kampp) moves in with her aunt, Bodil (Sidse Babett Knudsen) after her mother (and Bodil’s sister) dies in a car accident. At first, Ida is delicately embraced by Bodil and her three sons. But as the film progresses, Ida learns that the club Bodil runs and owns is not what sustains the family. Rather, Bodil and her sons, Jonas (Joachim Fjelstrup), David (Elliott Crosset Hove), and Mads (Besir Zeciri) are loan shark debt collectors. As the matriarch, Bodil forces her sons to be the muscles of the family crime operation. As a new member of the family, Ida starts to join in on the business, but learns that the high stakes also come with real consequences. Continue reading Fantasia Festival Review: “Wildland” (Kød & blod)
Directed by Jeanette Nordahl, “Kød & Blod” (“Wildland”) is a Danish film about a toxic family and the need to belong in a community. It’s a matriarchal mafia genre with the focus on violence within a family not outside. It’s a drama steeped in mistrust and danger.
In a succinct series of shots we learn that Ida’s (Sandra Guldberg Kampp) mother was killed in a crash and she now has to live with her aunt Bodil (Sidse Babett Knudsen) and three older male cousins (Joachim Fjelstrup, Elliott Crosset Hove, Besir Zeciri).
Ida is sullen, quiet and withdrawn, thrust into a home which appears to have something sinister going on under the surface. Continue reading Berlinale Exclusive Review: Kød & Blod (Wildland)