Review: Disclosure

“Disclosure” is a vital, near-perfect documentary on transgender representation in film and television that is one of the most singularly cathartic viewing experiences that I as a trans person have ever experienced. Sam Feder, along with every interviewee and participant in this production (including Laverne Cox, Chaz Bono and Angelica Ross) discuss trans issues with maturity and without feeling the need to spoon-feed the basics to cis audiences. This is a film that assuages all my fears that I ask too much of the world by wanting more media made BY trans people FOR trans people. Continue reading Review: Disclosure

Pride: A queer, socialist call-to-arms for 2020

As of writing, there are people of all ages and walks of life protesting systemic racism on the streets of the United Kingdom. There’s also a pandemic on, with many accusing the Tory government of exacerbating the UK’s horrifying death toll. So to say that “Pride” (2014) might have something to offer the average Brit right now is a bit of an understatement. Continue reading Pride: A queer, socialist call-to-arms for 2020

Review: The Shed

When a vampire hides out in the shed, your premise teeters on the brink of ludicrous rather than serious. Frank Sabatella’s “The Shed” (2019) though has serious chomps to take out of the social paradigm of bullying, abuse, and snap judgements, it’s just a shame this all gets wrapped up in the wrong delivery. Stan is a young man (though seven years too old for a high-schooler) who grows up under the vigilant ‘boomer’ antics of his Grandfather, a crotchety, one-note character who seems determined to berate Stan despite the traumatic deaths of his parents. Continue reading Review: The Shed