Editorial: It Is Exhausting Trying to Find Myself in Cinema, And That’s a Problem

Do you remember the first time you saw yourself in a movie or television show?  Do you remember the feelings that go with it?  The shock of seeing your reflection.  The little guilt that comes with your weaknesses or faults.  The elation you feel seeing yourself.  And also the relief that there is at least one person in the world who sees you, authentically and unabashedly.

I find it difficult to have those moments.  The first film that ever struck me that way was 2010’s “Easy A.”  Emma Stone stars as precocious, intelligent, ego-centric teenager Olive, who thinks she can outsmart life and feelings.  I loved that film so much.  I still feel a bit of a high every time I see it.   Continue reading Editorial: It Is Exhausting Trying to Find Myself in Cinema, And That’s a Problem

“Marriage Story”: A Feminist Fairy Tale

“Marriage Story” is actually a tale about a divorce – that of two successful theatre artists, Charlie (Adam Driver) and Nicole (Scarlett Johansson). Initially, the film appears to be entirely Charlie’s story but without Nicole, there would be no movie. In the beginning, he is unable to see his wife for who she really is but he grows to see her so clearly that he can fully appreciate the extent of what he’s lost. That theme – of appreciating women as fully formed human beings, equal to their male partners and counterparts – is what makes “Marriage Story” a feminist love story. Continue reading “Marriage Story”: A Feminist Fairy Tale