Female Characters, Television Review, Women in Television

Review: DC Universe’s Stargirl Premiere

Now, DC Universe adds another show to its arsenal with a colourful and youthful rise of a new heroine in “Stargirl” and is already showing its potential to be something really special.

Now, before we get into anything with our titular heroine, I have to say that this opening is absolutely fantastic and presents a unique look to the DC Universe as it delves in a lesser-known team – The Justice League Society of America Continue reading Review: DC Universe’s Stargirl Premiere

Tom MooreMay 24, 2020May 24, 20201 Comment

Film Reviews, Reviews, Top 50 of the Decade, Women in Film

ITOL Top 50 Films of the Decade, Entry No. 2: Wonder Woman

Regardless of your opinion on the merits (or lack thereof) of Batman vs Superman, there was a clear winner that came out of it all. Though only in the film for a handful of scenes it was immediately obvious that Diana, aka Wonder Woman (Gal Gadot), was going to be a force to be reckoned with in her own solo film.

This film also came at a perfect time for the DCEU. While the MCU was racking up critical and box office successes, they were yet to have a solo film for any of their female characters or a film directed by a woman. DC decided to buck that trend and handed the reins of one of their trinity to Patty Jenkins. It came as a bit of a surprise, given the last film she had directed was “Monster” in 2003, and a far cry from a superhero film. Continue reading ITOL Top 50 Films of the Decade, Entry No. 2: Wonder Woman

jmamennDecember 19, 2019December 7, 20193 Comments

Directors, Female Characters, Female Filmmaker, Female Filmmakers, Female Writer, Film Reviews, LGBTQ Cinema, LGBTQ Filmmakers, Top 50 of the Decade, Women in Film

ITOL Top 50 Films of the Decade, Entry No. 35: Professor Marston and the Wonder Women

Year: 2017 Runtime: 108 minutes Director: Angela Robinson Writer: Angela Robinson Stars: Rebecca Hall, Luke Evans, Bella Heathcote By Jenni Holtz All too often, biopics are dismissed, especially by younger audiences, for being boring or Oscar-bait-y. They tend to be successful with older moviegoers and award shows, but the response from younger viewers appears lackluster in comparison. “Professor Marston and the Wonder Women” defies … Continue reading ITOL Top 50 Films of the Decade, Entry No. 35: Professor Marston and the Wonder Women