Retrospective Review: Little Women

Watching “Little Women” (1994) is sort of like coming home. Regardless of the period (1868 I believe) or place, the film reinstates a level of comfort felt when I saw the movie as a child. How I perceived the movie changed as I grew older, but watching it was a yearly viewing for me. Another tether? I felt innately like Jo (Winona Ryder), trying to find my own truth, regardless of societal or gender constraints, and just wanting to write. Gillian Armstrong’s 1994 film that adapts Louisa May Alcott’s novel, portrays the March family, especially the four March girls, in a way that’s maintained credibility and resonance over the years. The adaptation is loyal in the sense that these characters are portrayed with the same warmth as they are read.

ITOL Top 50 Films of the Decade, Entry No. 47: Cloud Atlas

"Cloud Atlas" (2012) is not an easy film to understand. In this sense, it owes a debt to another film about time, space and mankind’s cyclical movement through both, Kubrick’s “2001: A Space Odyssey” (1968). Whereas Kubrick asked where mankind was going, directors Tom Tykwer, Lana Wachowski, and Lilly Wachowski seem to answer that wherever we’re going, we’ve been there before. “Cloud Atlas” defies a simple plot summary. It is essentially a series of interconnecting stories of people who live and die in different eras of time but who might be the same people reincarnated to face similar challenges repeatedly in an attempt to change the course of mankind’s fate. The truth at the heart of the film is that all of humankind are metaphorically like the multitude of drops that make up an ocean.

ITOL’s Top 10 Female Focused Horror Films

What does "Suspiria", "Carrie", "The Witch" and "The Hunger" have in common? Well, these horror films are not only directed by a male director and are terrifying to watch, but they also pass the Bechdel Test. If you have managed to make it through our 31 Days of Horror countdown and you're still looking to be well and truly creeped out, then ITOL recommends these horror films which see women at the centre of their plot. The films included on this list aren't necessarily directed by a female filmmaker, but they are unique because they all pass the Bechdel Test. The films below all meet the criteria set out by the test: (1) it [the film] has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. So, without any further ado, here are some must-see horror films this Halloween. Enjoy!

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