Writer-director Lavie’s filmography to date is mostly based in short films – “Honeymood” is her second feature – and this does feel like it might have been better if the film had been trimmed down to a shorter running time. The film’s conceit is strong and the performances, for the most part, might be enough for some to stick with it, but the expectation for a film premiering at the London Film Festival under the “Laugh” strand deserves a little more on screen at which to, well, laugh. Continue reading Review: Honeymood #LFF2020