The British Academy Film Awards are somewhat of a black sheep in the trinity of lavish, self-indulgent film awards ceremonies in the early months of each new year. Their bizarre practice of pre-recording the ceremony – so the winners end up announced before it’s even televised – then editing out a bunch of the technical and ‘smaller’ awards, makes it a very lacklustre viewing experience. Though that being said, there’s a lot to say about the awards and the ceremony itself. First, and most obvious, is the sweep of “1917”. Seven wins out of nine nominations, only losing Makeup and Hair to “Bombshell” and Original Score to “Joker”. Not unexpected given the film’s staggering momentum this awards season, plus the film being British which the BAFTAs highly favour. But it’s still telling. Expect “1917” to make a similar sweep of the upcoming Academy Awards, with a near-guaranteed shot at Best Picture and Best Director, winning both of its equivalents here.
As we approach the end of 2019, the ITOL team are compiling their end of year lists of their favourite films. Here's James Cain's list and his personal top 20 films of 2019! Another year, another fresh bout of shame. I didn’t see “Hustlers”! I didn’t fit “Always Be My Maybe” onto my list of favourite movies! Anyway, here are my Top 20 Films of 2019.
I had a surreal experience watching “The Irishman” (2019). There is a scene of a gangster assassinated while he is eating dinner with his family in a restaurant in New York City’s Little Italy. As I watched I slowly recognized the restaurant and remembered a dinner I had had with my brother and two cousins so many years ago I had forgotten all about it. My memories superimposed themselves on the murder taking place onscreen which I had never known before had happened there. As an Italian American raised in New York one must sometimes wonder, “Have I really been living in a Martin Scorsese film all my life?”