Sexual assault is a crime that has been perpetrated upon far too many women; some who’ve unfortunately gone through this may find this film to be one too difficult to sit through. An experience like this is not one which needs re-living–especially when it hits this close to home (which happens to be the case of the director/screenwriter/producer, Cédric Jouaire according to my press notes).
A best-selling writer is seduced, then kidnapped by a stalker who accuses him of rape. She claims that the rape occurred 20 years ago and that he has used her personal tragedy and exploited it by making it the plot of his latest novel. The author insists that this is merely a coincidence and that his work is merely one of fiction, yet the vengeful woman persistently forces him to confess. Continue reading The Very Last Day Examined
When talking about “The Very Last Day”, first-time writer-director Cédric Jouarie has been vocal about having had to live with a harrowing experience which was inflicted on him when he was a teenager. His film has presented an opportunity to explore his trauma, and perhaps even offer Jouarie some catharsis for what has happened. The end result is captivating if a somewhat messy mix of high melodrama and revenge thriller.
The film introduces novelist Raymond Ho (Lawrence Ong) accompanied by his wife Viola (Heng-Yin Chou) on the eve of the successful release of his latest novel: a story of a romance which culminates in a sexual assault. It’s not a success enjoyed by all: Viola can only look on whilst addressed as “Mrs Raymond Ho”, her own credibility as a writer belittled both by fans of her husband’s work, and by Raymond himself – it’s revealed that he’s been lifting from her stories of childhood abuse and hardship to use them as plot points for his books. Continue reading Review: The Very Last Day