To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 13 is Tilda Swinton, and writer Jossalyn Holbert looks at her roles in “We Need to Talk about Kevin” and “Suspiria,” with “The Dead Don't Die” as an honorable mention.
The Sandy Hook massacre in 2012 saw 26 people murdered – 20 kids and six members of staff. It remains the largest school shooting at an American primary or secondary school, and is the second-largest school shooting in American history (the tragedy at Virginia Tech in 2007 saw 32 people murdered). Coming out one year prior, “We Need To Talk About Kevin” is a film that explores one of life’s more terrifying recurring nightmares. Based on the 2003 novel of the same title by Lionel Shriver, “We Need To Talk About About Kevin” focuses on successful travel writer Eva (Tilda Swinton) and the relationship with her son, Kevin (Rocky Duer, Jasper Newell and finally Ezra Miller). Kevin seems to antagonise and loathe his mum from birth: crying only in her arms as a baby, being entirely uncooperative with her as a young kid when they’re alone, and taunting her frequently as a teen.
Writer and director Joanna Hogg has always been known for her mysterious, creative and thoughtful films, but “The Souvenir” (2019) is her best yet. A tender tale of young love, it is Hogg’s most personal film to date, based on her own experiences at film school and dating an older, secretive and troubled man. You can feel this personal touch throughout, in the gentle yet unflinching way Hogg’s camera follows Honor Swinton Byrne’s Julie, the young woman at the centre of this story.
What does "Suspiria", "Carrie", "The Witch" and "The Hunger" have in common? Well, these horror films are not only directed by a male director and are terrifying to watch, but they also pass the Bechdel Test. If you have managed to make it through our 31 Days of Horror countdown and you're still looking to be well and truly creeped out, then ITOL recommends these horror films which see women at the centre of their plot. The films included on this list aren't necessarily directed by a female filmmaker, but they are unique because they all pass the Bechdel Test. The films below all meet the criteria set out by the test: (1) it [the film] has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. So, without any further ado, here are some must-see horror films this Halloween. Enjoy!
A creative force to be reckoned with. This woman graduated as a dancer, choreographed dance shows, made music, directed plays and wrote and directed world-class movies. And all this output can be traced back to when she was the tender age of 14 and made her first 8mm films. Her name: Sally Potter. If you have seen one or two Potter films, you may think that she broke or rejected the conventions of mainstream film making, but that isn’t quite right. What Potter does with her films is let them speak. The ideas within them come out in ways that are free forming and she follows the flow of them until they are completed films. They are not without structure or form; they are parts of the human condition that have been given freedom of expression.
By Joan Amenn There are few experiences more enjoyable when seeing a film then only slowly recognizing the actor on screen is someone you are a fan of but who has used their skills to transform themselves totally into the character they are playing. In our age of CGI, this skill can seem like a... Continue Reading →