
ITOL 2019 Round-Up: The Last Black Man In San Francisco
Many films in 2019 dealt with semi-autobiographical tales. Ageing directors wrote and/or directed stories which mirrored their lives. They looked at aspects of their own collective past and current present, giving us films like Martin Scorsese’s “The Irishman” and Pedro Almodovar’s “Pain and Glory”. Lulu Wang made us remember how much we love our grandmas in “The Farewell” and Shia LaBeouf showed us the specific and cathartic toll that acting and fatherhood can take on a person.
None of these personal stories compare to the one told by longtime friends-turned-collaborators Joe Talbot and Jimmie Fails with “The Last Black Man in San Francisco”. Continue reading ITOL 2019 Round-Up: The Last Black Man In San Francisco