Trying to arrange a date is an immense task, and some Hollywood films make it appear ever so easy! There's never any issues getting a resturant reservation, nobody gets held up in traffic and no-one walks into the resturant with their blouse inside out (not, that this has happened to me *ahem*). Everything seems to go according to plan and the couple have a great time. It's enough to make you feel just a little bit down. However, don't worry! I have managed to find some pretty awful dates that didn't go well for the characters involved. Happy Belated Valentines Day everyone!
“I can't stand romantic comedies." We’ve all met someone like this. Whether or not this is a genre that you like, love, or simply feel abhorrently about, I believe that there are some classics that are embedded in the history of film that can’t be discredited. Ones that warm even the coldest or most cynical of us. Since I think that these lie within the very fabric of what makes movies like this so comforting, these are five I’d suggest for anyone. However, we all have our own tastes and sentimental trappings when it comes to ”feel good” cinema, or "cry your eyes out” romance. Find your own, but if you need help, check these out.
Over time we’ve been blessed with a lot of many amazing couples on screen. Sometimes, the film is incredible, but the relationship? Not so much. Depending on the film, the toxicity of the coupling can accentuate some of its intentions, other times, it’s not even recognized as such. I think the sense of awareness for the subjects makes a real difference. There are a lot of ways to look at toxic relationships in films, and these are several that should get attention, but as you’ll see, it's for differing reasons.
Genres set certain expectations for a film’s narrative. While yes, the characters and plot most likely differ for each film—audiences know what to expect based on genre. Horror should scare, a documentary should inform, and comedy should cause laughter. Undoubtedly then, a romantic-comedy should have two characters who seemingly shouldn’t be together, end up together. Right? They meet, they usually don’t like each other, they end up falling in love—then, there is some type of conflict that separates them, but by the grace of the genre, the love overpowers any type of reality. In the end, the two romantic characters end up together, falling in love—happily ever after, just like the fairytales told us so. The genre presents an expectation, a safe space. But—what if it doesn’t?