If you’ve seen 2016’s “The Boy”–one of the more peculiar entries to the horror genre as of late–you’d, like me, be trying to decipher how on earth a sequel could ever come to exist. Upon learning about this project, I found myself in a state of utter bewilderment. The first film ends with a twist so unexpected it overturned the entire storyline that had preceded it…and then it ended. So, how on earth did screenwriter Stacey Menear and director William Brent Bell plan on presenting a sequel that would not result in us, the audience, anticipating an already known reveal? Continue reading Review: Brahms: The Boy II