This is a lean, mean, deadly beast of an indie film--at times it is unbearably tense and unlike anything I’ve seen from this genre. Elevated by a star-making performance from Bethany Anne Lind (whose IMDB page I’ve checked; I must say that I am appalled that it has taken this long for her to be seen!). It is a southern crime-thriller that is thematically and structurally reminiscent of films like “Blue Ruin”; yet it is made instantly more fresh with the decision to center the story on a complex woman.
To celebrate the last decade 2010-2019, we are counting down the best actresses and discussing some of their most notable and memorable performances of the decade. With the help of Film Twitter, the ITOL team has selected 30 actresses. Writer Claire L. Smith examines Toni Collette's career over the last decade and discusses her performances in "Hereditary" and "Knives Out".
To say that "Black Christmas" is the movie society needs to take note of is a massive understatement. Directed by Sopia Takal and written by herself and April Wolfe, "Black Christmas" is a modern updating of the 1974 classic. Whereas most remakes and reboots take the safe and give us what we as an audience expect, this 2019 update is at once a loving tribute to the original but also pushes it into scary and very real directions.
Lead by a standout performance by Imogen Poots as Riley Stone, "Black Christmas" has themes that are sure to resonate with young women. Riley, herself a victim of a sexual assault, is forced throughout to constantly face her abuser and the ramifications of her speaking out against him.
Christmas time is always one of the most emotional times of the year. It brings joy, happiness, and jolly good cheer. But it can also bring other emotions too: pain, sorrow, fear. In Bob Clark’s 1974 slasher masterpiece "Black Christmas", these emotions are all brought to the forefront in very realistic and sometimes unnerving depictions. At the core of this film is women fighting for acceptance, the right to their bodies and ultimately their lives.
Horror cinema has enjoyed a real purple patch in the last decade, and arguably the most exciting, inventive and disturbing release of the 2010s is “Raw”, the debut feature for French writer-director Julie Ducournau. The film plays out as an unholy marriage between a coming-of-age tale and a cannibal horror story, in which a young vegetarian named Justine (Garance Marillier) takes her first steps into adulthood as she begins her studies at veterinary college.
When making that perfect meal, there are two key rules - follow the recipe, and get the very best ingredients. Everything else is just adds to the general appearance, but if you get those basics right? You won't go far wrong. Making a film is pretty similar - get the right story, and deliver it with the best creative team, and you'll almost certainly get an enjoyable film. "Jennifer's Body" is the exception that proves this rule.
Let me take you back to 2009. Megan Fox was one of the hottest properties in cinema, with her face and body being plastered all over the unfathomably internationally successful first couple of entries into the Transformers franchise. Amanda Seyfried was a key part of popular movies like "Mean Girls" and "Mamma Mia!", along with a major role in hip TV show "Veronica Mars".
"Body at Brighton Rock" is a horror film. However, it's not a very well executed one. There are a lot of jump scares in all the right places: a hand on the shoulder, a loud noise, someone jumps out from the bushes. When well-executed, the jump scare can be very effective. A prime example is in "Jaws", or in "The Shining". However, for the case of Body at Brighton Rock, the jump scare is used as a lazy way to keep the viewer awake, rather than actually scaring them. As a result, you walk away from this film feeling deeply unsatisfied.
What does "Suspiria", "Carrie", "The Witch" and "The Hunger" have in common? Well, these horror films are not only directed by a male director and are terrifying to watch, but they also pass the Bechdel Test. If you have managed to make it through our 31 Days of Horror countdown and you're still looking to be well and truly creeped out, then ITOL recommends these horror films which see women at the centre of their plot. The films included on this list aren't necessarily directed by a female filmmaker, but they are unique because they all pass the Bechdel Test.
The films below all meet the criteria set out by the test: (1) it [the film] has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man. So, without any further ado, here are some must-see horror films this Halloween. Enjoy!
"The Babadook" is the type of horror flick I love; one where the threat — in this case, the monster — works as both an internal and external threat. The unique creature design is simultaneously whimsical and menacing. Think, the hybrid that one would get if they were to describe Nosferatu to a child and have that child illustrate the description.