"Sea Fever" is a fantastic psychological thriller which will be live streaming on Thursday, April 9th, 5:00pmPT/8:00pmET. Viewers can tune in to watch the official film premiere together, post their comments in a chatroom, and have their questions answered by the cast and crew via a moderated Q&A following the credits. The event will kick-off the film's on-demand and Digital release on April 10th. You can check out our review of the film here. Bianca Garner spoke to the film's director Neasa Hardiman about how timely the film is, what films inspired her and how they managed to shoot those incredible underwater scenes!
Although many people know the names and the faces of the best comedians in the industry, there’s one that’s more impactful to comedy than any of them and yet his name has somehow flown under the radar of the public eye – his name is Del Close. With her latest documentary, "For Madmen Only", director Heather Ross looks to delve into Close’s influence and the methods and madness that sparked a new kind of comedic art form.
Laurentia Genske is a German Documentary Filmmaker and Cinematographer. She attended the Academy of Media Arts Cologne from 2010 to 2016, with an exchange year studying documentary film at the Escuela Internacional de Cine y Televisión, Cuba between 2012 and 2013. She received several awards for her documentary "AM KÖLNBERG", co-directed with Robin Humboldt, amongst others the German Documentary Film Award 2015. Her most recent project “Im StÄdtle” is currently in post-production. This feature documentary follows two Syrian brothers who are caught in a constant struggle between their own transsexual identity and different cultures. Finally, they can live freely in Germany, but at the same time, they face struggling with feelings of sin in the face of their Muslim environment. Bianca Garner caught up with Laurentia to discuss her career, the challenges of being a documentary filmmaker and the project that saw her living in a Cuban jungle without electricity for three months.
The death of a loved one is difficult. As a child, losing a loved one such as a parent or sibling seems unimaginable. Childhood can be confusing in itself. Death, whether it is expected or not, is never easy. Death is something adults find dreadful, but we understand it is inevitable. How does any person deal with loss and grief? No one can ever prepare for how they will react to the loss of a loved one until it happens. Every person is different. Most adults go through stages of grief, some never confront those feelings for the rest of their lives. However, children barely understand what living is—let alone death.
Edinburgh based writer/director Eva Reilly has made a compassionate coming-of-age story that brims with legitimacy with her debut feature, “Perfect 10” (2019). A Brighton-set feature that recalls such films as Andrea Arnold’s “Fish Tank” (2009), this is a confident start to a filmmaking career. It displays natural talent and an abundance of promise for growth, for the director and main star alike. Paralleling Reilly’s debut is star Frankie Box giving her first feature performance. She plays Leigh, a gifted teenage gymnast who is suffering. Her passion for sport has slowly dissipated, drained bit by bit by a broken, neglectful home life and the other gymnasts referring to her as a “charity case”. One day, an older boy named Joe (Alfie Deegan) enters her home and reveals that they are half-siblings. This unexpected development drastically changes Leigh’s life for better and for worse.
In this debut feature by director Mounia Meddour, “Papicha” (2019) is about Algerian girls in the late 1990s trying to cling to freedom and self expression during a rise of an extremely conservative Islamic fundamentalism that literally threatens their lives. Nedjma (Lyna Khoudri) lives and studies at a women’s university where there is a culture of sisterhood and fun. The girls sneak out to go drinking and dancing at night, are boisterous and play practical jokes. They’re mostly carefree but cautious of having to lie to police and cover their heads if they are stopped. She loves fashion and is constantly sketching new ideas and making clothes for her peers, selling them out of a nightclub bathroom.
This week sees the Berlin film festival kick-off with six of its 18 competition films boasting a credited female director, representing a 33% proportion, compared with Cannes last year with 19% and Venice with 9%. Although six films isn't an even split, it is still an improvement in the right direction. So, what are these six films and which ones are we most keen to catch at the festival?
Radha Blank’s “The 40-year-old version” is my favourite film of the Sundance Film Festival. I walked into the screening without any previous knowledge of the synopsis nor seen any reviews of earlier showings. The film begins and immediately grabs your attention you can't keep your eyes off Radha, not only because she’s the protagonist of this film but also because her presence charms you towards her. As a struggling playwright, Radha has kept herself busy with her teaching profession while grieving the loss of her mother. As she approaches 40, Radha wants to continue being creative and decides to give rapping a second chance. "The 40-year-old Version" is directed, produced, written, and brilliantly acted by the talented Radha Blank. Believe me when I say she is someone to look out for in the future. Her name will soon be familiar to many of you. After all, she won the best director prize at Sundance (deservingly so). It's no secret that I lost my mother a little over five years ago, and I'm still grieving her loss. Radha’s grieving process reminded me of my own.
Following the infamous "Suicide Squad", "Birds of Prey" sees the return of of the infamous Harley Quinn (Margot Robbie) to the big screen. Only this time things have changed since we’ve last spent time with her, she and the Joker have broken up. With this framing "Birds of Prey" follows Harley as she navigates her newfound independence from her toxic relationship, through various means she ends up in the hands of Roman Sionis/Black Mask (Ewan McGregor) and his twisted henchman Victor Zsasz (Chris Messina), that eventually see her crossing paths (Reluctantly) with Black Canary (Jurnee Smollett-Bell), Huntress (Mary Elizabeth Winstead), Renee Montoya (Rosie Perez), and Cassandra Cain (Ella Jay Basco).