By Brian Skutle When Disney first purchased Lucasfilm in 2012, naturally, one of the first thoughts for many a “Star Wars”(1977) fan was the idea of getting more films and TV shows. “Clone Wars”(2008-2020) was going on Cartoon Network, but the prequel era had divided the fan base. New stories were not just on my mind, however. A new trilogy of films meant, of course, … Continue reading The Musical Force is Female: Natalie Holt’s Score for “Obi-Wan Kenobi”
Regardless of whether you’re a fan or not of Todd Phillips’ “Joker”, I think we can all agree that Hildur Guðnadóttir’s score is phenomenal. A classically trained cellist from Iceland, she has played and recorded with various bands such as Pan Sonic, Throbbing Gristle, Múm, and Stórsveit Nix Noltes. She experiments with sound and musical instruments, using cello, warped samples, and nuclear reactor metal as her tools to compose her music. And, the end result is stunning.
Her music has a way of invading your mind, the score for “Joker” has a rawness to it, full of menace and a foreboding sense of dread. The score for “Joker” is so far from the epic orchestral scores we usually associate with comic book adaptations, and as she explained in an interview with Film Music Mag this was a deliberate decision, “we went as far in the other direction with this score as possible. Continue reading Spotlight: Hildur Guðnadóttir