Best Actress of the Decade, Entry No. 12: Viola Davis

To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 12 is Viola Davis, and writer Georgia De Souza discusses Davis career over the last decade.

Review: The Gentlemen (2020)

With “The Gentleman” (2020), Guy Ritchie attempts to prove that he’s still the king of British gangster films, but he falls a bit short. It's certainly an entertaining romp as a myriad of charming and talented actors get into all sorts of scrapes while trying to pass a booming marijuana business into different hands. Despite the film’s strong points, it lacks cohesion and the treatment of its only central female character is abysmal. 

Sundance Exclusive Review: Mucho Mucho Amor

 "Mucho Mucho Amor" is a documentary following the life of the iconic Puerto Rican astrologer, Walter Mercado. When I first heard that this documentary would be screened at Sundance, it immediately became my most anticipated film because I grew up watching him. I can recall seeing him on television Monday through Friday on Primer Impacto at approximately 5:45 pm to give the horoscope of the day. As this documentary accurately depicts, everybody at the house had to be quiet while he was on. We will all sit quietly and pay close attention to see what our horoscope will say, but then that was it, and we will continue with our day. I never knew anything outside of the celebrity, and this documentary navigates through Walter’s life, all leading to a special 50-year commemoration.

Review: Tyler Perry’s A Fall From Grace

He’s done it, he’s finally done it! Writer/director Tyler Perry has brought into existence, this demonic spawn of a film, this thing--this living, breathing creature from the depths of darkness where no light penetrates. Given what I’ve seen from Perry, I was expecting awful, but this far exceeds anything my mind could’ve conjured up. This spectacularly misogynistic monstrosity is one of the most inept films I’ve ever seen. Cheaply made, phoney, stilted, insultingly asinine...and all I can say is: Watch. It. Now.

Best Actress of the Decade, Entry No. 13: Tilda Swinton

To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 13 is Tilda Swinton, and writer Jossalyn Holbert looks at her roles in “We Need to Talk about Kevin” and “Suspiria,” with “The Dead Don't Die” as an honorable mention.

Review: “Jezebel”

Numa Perrier’s feature debut “Jezebel” (2019) is a deeply personal film that makes viewers feel like they’re a part of the action. Perrier, the writer director, and co-star of the film, based the film on her experiences as a cam girl. The film is an important step in humanizing sex workers, a group of people who are often looked down on and disrespected. At its heart, “Jezebel” is about sisterhood and grief through the lens of two sex workers struggling financially and emotionally. 

Review: Quezon’s Game

Poker often appears in film as an analogy to some other plot point to heighten the tension of the action. In “Quezon’s Game” (2019) poker is not just a typical cinematic cliché. Through a series of seemingly innocuous nights of cigar smoke and friendly card dealing, the lives of hundreds of desperate people were saved. This is an uplifting and heartrending true story of hope and crushing loss, framed in Manuel Quezon (Raymond Bagatsing) viewing newsreel footage with his wife, Aurora (Rachel Alejandro).

Best Actress of the Decade, Entry No. 14: Marion Cotillard

To celebrate the last decade 2010-2019 we are counting down the best actresses and discussing some of their most notable and memorable performances of the last decade. With the help of Film Twitter, the ITOL team have selected 30 actresses. Entry No. 15 is Marion Cotillard, and writer Joan Amenn discusses Cotillard's performance in “Macbeth”.

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