Although many people know the names and the faces of the best comedians in the industry, there’s one that’s more impactful to comedy than any of them and yet his name has somehow flown under the radar of the public eye – his name is Del Close. With her latest documentary, "For Madmen Only", director Heather Ross looks to delve into Close’s influence and the methods and madness that sparked a new kind of comedic art form.
Writer/director Caleb Johnson’s sophomore effort, "The Carnivores", has a lot of strong intrigue, allure, and character to entrance viewers into its strange story of how man’s best friend is dividing a couple and making one of them oddly obsessed with raw meat. The film follows Alice (Tallie Medel) and Brett (Lindsay Burdge) as they are divided by Brett’s dog Harvie as his illness is causing him to slowly die. Although Brett wants to spend every last second with him since she feels she has so much history with him, Alice feels like he’s ruining everything. With Brett pretty much being obsessed with Harvie, Alice is starting to feel left out and it’s causing a major rift in their intimacy and love for one another. However, after Alice’s sleepwalking and her issues with Harvie come to a head, Harvie goes missing and the two women begin to uncover strange, beautiful, and even horrifying parts of one another.
Year: 2019 Runtime: 97 Minutes Director: Antoneta Kastrati Writers: Casey Cooper Johnson, Antoneta Kastrati Stars: Adriana Matoshi, Astrit Kabashi, Fatmire Sahiti By Calum Cooper The Kosovan drama “Zana” (2019) is an utterly devastating watch. It is a film that intertwines the past and present to categorically display the long term effects of trauma with blistering... Continue Reading →
The third feature from writer/director Albert Shin, “Disappearance on Clifton Hill”, takes viewers on a moody Niagara Falls mystery that offers a great atmosphere, but a lacklustre conspiracy story. The film follows Abby (Tuppence Middleton), a woman returning to her hometown of Niagara Falls to settle an inheritance she gains from her late mother. Although she’s been away for quite some time, Abby is still haunted by a memory from her childhood of her seeing a young boy with one eye being kidnapped. So, when she makes new connections to the boy’s disappearance, she begins to investigate the town’s history and meets some interesting discoveries that unveil an elaborate conspiracy. With her checkered past rearing its ugly head and her investigation gaining some unwanted attention, Abby must uncover the truth before she’s completely silenced.
The second I saw the trailer for director Autumn de Wilde’s adaptation of Jane Austen’s beloved comedy “Emma.”, I just knew that it was something special. Even as someone who wasn’t familiar with the book in the slightest, there was just something so visually appealing and intriguing and it looked to kick off an incredible year for Anya Taylor-Joy. Now, that the film has finally hit theatres, it has met and exceeded my expectations and bolsters some of the strongest performances we’ll likely see this year – especially from Taylor-Joy.
“Vivos” is a documentary that follows the families of 43 students who forcibly disappeared in Iguala, Guerrero, Mexico. On the night of September 26, 2014, a bus full of students, from Ayotzinapa, was intercepted and confronted by the police. Many were killed at the scene, others were severely injured, and 43 students utterly disappeared. The government claims that these students were turned in to the local cartel, who murdered all 43 then burned them. They were supposedly burned in a big bonfire where later their “remains” would be found.
“It’s done,” Céline Sciamma said through laughter, “I don’t need your approval!” Ten minutes earlier, a lengthy applause break punctuated the film screening and Sciamma was welcomed to the stage with a standing ovation. Sitting in a folding director’s chair on-stage in the sold-out Music Box Theater in Chicago, IL, Sciamma shared insights on the filmmaking process during a question and answer session with the audience. The early pre-screening of “Portrait of a Lady on Fire” (2019) was part of a press tour preceding the films wide release in the United States.
"First Love" is a comedy-drama, set in one of Miike's favourite environments, the world of the Yakuza (Gangster). A promising boxer, Leo (Masataka Kubota), is surprisingly beaten in a contest and is informed it is probably due to an inoperable brain tumour. Whilst walking the streets attempting to process this news, he bumps into drug-addicted sex slave Yuri (Sakurako Konichi) and inadvertently messes up an attempt by a crooked cop and an up-and-coming Yakuza to steal a drug shipment from the local crime family. Along the way, we meet One-armed Chinese crime bosses, deadly female assassins, and murderously unhinged girlfriends, amongst other characters too numerous to list. Somehow, amongst the violence and craziness, the two form a connection with each other, but only if they survive.
Doused in colorful lighting, Lola (Madeline Brewer) sits in front of a webcam with a knife in hand. She raises the knife to her throat and carefully presses down, releasing fake blood that flows down her front. Lola’s fans go wild, tuning in to more of her shows and sending her tips. Lola, who goes by Alice off-cam, is thrilled — she’s moving up the ranks of the livestreaming site thanks to her hard work crafting unique and exhilarating shows like the fake suicide show. With her newfound success, Alice continues to set up eye-catching shows to move further up the ranks. Another cam girl gets in her way, though. And she looks freakishly similar to Lola/Alice. The film takes a quick turn into psychological horror territory as Alice embarks on a mission to find the doppelganger and get to the bottom of things.